![]() He encouraged Boton and Hollenstein to enlarge the limited character complement and create additional weights for the design.” - Fonts. In the early 1970s, Aaron Burns saw Eras and was immediately taken with the face. The face was completed in the late 1960s and was used primarily as a display face for Studio Hollenstein, Albert Hollenstein’s phototypesetting and design company. Some time after Basilea was released, Hollenstein saw the initial sketches for the design and encouraged Boton to develop the serifless version. Free download and preview ITC Eras Bold Font ITCErasStd-Bold.ttf, ITCErasStd-Bold.eot, ITCErasStd-Bold.woff, ITCErasStd-Bold.woff2 and font-face CSS. “In the late 1950s, Boton and Hollenstein collaborated on a type design that eventually became a face called Basilea. Detailed information on the Eras Light ITC font: license glyphs specimens for OS: Windows, Mac, Linux for programs. Hollenstein’s death came more than a year before all the weights of ITC Eras were completed.” - U&lc, Vol. It has been called “a new, humanized Gothic.’ … French designer, Albert Boton, created ITC Eras in collaboration with the late Albert Hollenstein, also of France. “The slight forward slant and subtle variations in stroke weights make ITC Eras a sans serif with unusual style. Font family: Eras-Bold Font subfamily identification: Regular Unique identifier: ALLTYPE Eras-Bold Regular MIKE Full font name: Eras-Bold Version: Converted. An expanded version in five weights plus Outline and Contour styles was released by ITC in 1976. The font is only for commercial purposes only and you must be purchased. Shown by Hollenstein in a single light weight with lowercase. The font ErasITCbyBT-Bold cant be downloaded from. Shown by Photo-Lettering in 1964 as Hollenstein Eras. Initially conceived at Hollenstein Phototypo as all-caps face in 1961 and later augmented by a lowercase at the request of Gerard Blanchard. These are the most common typefaces in the database, but there are many more.Haas Inserat-Grotesk / Neue Aurora VIII (49).
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